They initially brush off Mindy and Dibiasky’s concerns but come around when Prsident Orlean gets involved in a sex scandal, for which she plans to fix her image by turning the comet-destroying mission into her Go-America moment.Īre Sirota and McKay suggesting that a woman president would not have been any better, contrary to what Hilary Clinton-stans think? On President Orlean’s desk is a photo featuring Bill Clinton giving her a kiss. “Keep it simple, no math”, scientist Oglethorpe (Rob Morgan) advises the astronomers about briefing the pea-brained Orleans. Her Chief of Staff is her hyper-materialistic son Jason (Jonah Hill) who frequently comments on her mom’s hotness. The tour turns increasingly bizarre and spins out of control as the world obviously misses their message.įirst, they meet President Orlean (Meryl Streep), whose Donald Trump-like behaviour probably appears less crude because of her gender. Don’t Look Up follows two astronomers, Kate Dibiasky ( Jennifer Lawrence) and Dr Mindy ( Leonardo DiCaprio), who embark on a media tour to inform the world about the comet. McKay who has been on a roll, turning anti-capitalist critiques into popular Hollywood films, starting with The Big Short and following it with Vice, delivers mostly pitch-perfect satire. By expediting the process of imminent destruction that climate change is expected to bring, McKay and Sirota attempt to narrow down, predict, and comment on global reactions to cataclysmic events. McKay and co-writer David Sirota, who is the editor-at-large at American socialist magazine Jacobin, accomplish this by giving the movie’s characters the challenge of surviving a destructive comet that will hit the Earth in six months. The film unfolds as a funny and horrifying allegory of how world leaders, corporations, and big media is dealing with global warming and its consequences. McKay’s satire Don’t Look Up primarily revolves around the last of these concerns, but also addresses the others. Don’t Look Up movie review: Leonardo DiCaprio and Jennifer Lawrence play astronomers in the film. Both The Matrix Resurrections, released on December 22, and Adam McKay’s Don’t Look Up, released on Friday on Netflix, conclude that humans are too happy and selfish to want to snap out of their denial about our present-day horrors of late capitalism, economic precarity, political unrest, and climate change. Within a span of two days, we have two big-budget Hollywood releases that tell us humanity is doomed.
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